Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

2010-04-22

…man…IN…T…i…m…e…………被時間打敗鳥

上一次更博已經是幾個月前的事情了。發生了很多事。有些沒頭沒尾。有些則還沒開始就已經結束了。

想攢一篇關于時間的博。正好google reader里存了些素材。一并用了吧。

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"On The Sound and the Fury"
-- William Faulkner

Quentin's father talked about time at the moment that he gave his watch to his son:


'Quentin, I give you the mausoleum of all hope and desire; it's rather excruciatingly apt that you will use it to gain the reductio ad absurdum of all human experience which can fit your individual needs no better than it fitted his or his fathers'. I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.'


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Calendar made of matches
-- Yurko Gutsulyak (http://www.gstudio.com.ua/)



"The idea was to create as unique a calendar so that the process of its presenting would become an outstanding event. Alongside with this, it was important to expose theidea of "energy", as it is predetermined by the name and logo of the company. Each page is a month and it looks like a comb made of matches that correspond to the days. The matches are real and the construction of the calendar is absolutely safe."





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TIME SAND
-- Michael Marcovici (http://sites.google.com/site/artmarcovici/)



"Rolex Time sand is packed in 30 kg bags. Each bag's content equals 30 days flowing in a standard hourglass. On the 18 pallets, there are 972 bags weighing 29 160 kg total, an amount of sand that would last for 81 years, which is our -generous- estimation of an average lifestime.



=
81 years
= our -generous- estimation of an average lifestime


= 39 years
= artist's lifetime already consumed

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"La peste"
-- Albert Camus


Le vieil asthmatique décrit dans les carnets de Tarrou:

'Il ne pouvait souffrir la vue d'une montre et, en fait, il n'y en avait pas une seule dans toute sa maison. "Une montre, disait-il, c'est cher et c'est bête." Il évaluait le temps, et surtout l'heure des repas qui était la seule qui lui importât, avec ses deux marmites dont l'une était pleine de pois à son réveil. Il remplissait l'autre, pois par pois, du même mouvement appliqué et régulier. Il trouvait ainsi ses repère dans une journée mesurée à la marmite. "Toutes les quinze marmites, disait-il, il me faut mon casse-croûte. C'est tout simple."

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Schott Solar & 20 Years Warranty Calendar
-- Saatchi & Saatchi (http://www.saatchi.de/)

Schott Solar produces solar panels with 20 years warranty. In order to present the brand Schott Solar in a distinctive and meaningful way in wholesale markets, they created a 20 year warranty calendar, which sticks out of the wall more than 60 centimeters. A message which can hardly be ignored. The first calenders were send out for free, in the meantime the sales force is confronted with more and more calendar requests.



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Scratch A Date
-- Mr. Tom Design (http://www.mrtomdesign.com/)



"The Scratchender is a calender that use the same material used on those vile scratch cards, teasing me into believing I may have won something. I digress, you don’t cross out past days with a pen but just scratch them off. It’s a much more visual and dare I say interactive way to keeping your dates straight. I just have issue with the left over bits, shavings, and debris. Those things are murder to clean up!"


2009-11-21

M'as-tu vue

J'ai emprunté à la bibliothèque le livre « M'as tu vue » de Sophie Calle. J'ai connue l'artiste pour la première fois par son exposition à la BnF « Prenez soin de vous » (2007). Le sujet était un peu trop sentimental à mon goût. Par la suite, j'ai vu des extraits de son œuvre «L'Hôtel» (1981). Le sujet est moins intime, et l'artiste a montré son observation tout en gardant assez de distance aux spectateurs (je trouve que dans "L'Hôtel" elle cherche plus à présenter les choses telle qu'elle qu'à émouvoir les gens).

Dans « M'as tu vue », certains œuvres me palissent plus que d'autres:

  «Journaux intimes», 1978-1992
( >> J'ai toujours bien aimé l'usage d'un moleskine blanc comme support artistique...)

  «L'Hôtel», 1981


  «Histoires vraies», 1988-2003
(>> L'artiste porte un regarde sensuel aux petites choses de rien du tout dans la vie...)

  «Appoitment with Sigmund Freud», 1998
(>> La maison de Freud a bien choisi l'artiste pour faire l'expo...)

  «Le Régime chromatique», 1997
(L'idée est mignonne. Les photos ne sont pas moins mignonnes. )

  «Le Bronx», 1980
(>> C'est mon préféré de tous oeuvres de S. C.)


  «Anatoli», 1984
(>> Pour le récit...)

  «L'Erouv de Jérusalem», 1996
(>> L'installation de la salle de l'exposition est esthétiquement intéressante. Le format des photos est très bien choisi pour représenter le sujet.)

  «Souvenirs de Berlin-Est», 1996
( >> J'aime bien l'idée de présenter l'histoire complexe de Berlin par le "vide". J'ai aussi le plaisir de voir la photo du palais république)

-------------------------------------E-xT--R-a-it-------------------------------------

«Les aveugles» (1986):

" J'ai rencontré des gens qui sont nés aveugles.
Qui n'ont jamais vu.
Je leur ai demandé quelle est pour eux l'image de la beauté. "



"La plus belle chose que j'ai vue c'est la mer, la mer à perdre de vue."


«Le Régime chromatique» (1997)

"Dans le livre Léviathan, paru aux éditions Actes Sud, l'auteur Paul Auster, me remercie de l'avoir autorisé à mêler la réalité à la fiction. Il s'est en effet servi de certains épisodes d ma vie pour créer les pages 84 et 93 de son récit, un personnage de fiction prénommé Maria, qui ensuite me quitte pour vivre sa propre histoire."

"Puisque, dans Léviathan, Paul m'a pris comme sujet, j'imaginé d'inverser le rôles, en le prenant comme auteur de mes actes. "

"Dans
Léviathan, Paul Auster décrit ainsi son personnage Maria: «Certaines semaines, elle s'est imposait ce qu'elle appelait "le régime chromatique", se limitant à des aliments d'une seule couleur par jour.»

"Afin de nous rapprocher, Maria et moi, durant la semaine du 8 au 14 décembre 1997, j'ai décidé d'obéir au livre."



"DIMANCHE:
ORANGE, ROUGE, BLANC,
VERT, JAUNE ET ROSE"



«Anatoli», 1984



«Journaux intimes», 1978-1992


2008-09-17

{Complete Silence} & {3 texts}

1...

"Once there was a girl and she loved a man. They had a date next to the eighth street station of the sixth avenue subway. She had put on her good clothes and a new hat. Somehow he could not come. So the purpose of this picture is to show how beautiful she was. I really mean that she was beautiful."

--- "He Disappeared into Complete Silence. Plate 1" / Louise Bourgeois 1947


2...

"时间象沙子那样流去。在黑暗里,多少世纪的古老的爱情在奔流;我第一次也是最后一次占有了乌尔里克的形象。"/"Le temps s'écoulait comme du sable. Séculaire, dans l'ombre, l'amour déferla et je possédai pour la première et pour la dernière fois l'image d'Ulrica."

--- 《乌尔里克》("Ulrica") / 博尔赫斯(Jorge Luis Borges) 1975

3...

"今天下午,阳光明媚。我看到一个在等有轨电车的女人,还有她的身体。"

--- 达达超现实主义展览会目录册/ 匿名 1945
(来源:《艺术世界》2008年 第二期)

2008-07-26

The Museum of V.V. Mayakovsky

The entrance to the Museum is performed in the post-modern style. There is taboo truss lying as a border at the memorial building as a symbol of interrupted time in the flow of current life.



This new Museum creates a model of age and world of Mayakovsky, transforms the poetical metaphor into poetical compositions, realizes intellect and fantasy of the author, transforms a visitor from an obedient super into a co-author and participant.


The House space, which is transformed by the will of authors of the composition (scenarios, artists, architects and builders), reminds the Labyrinth of Life, whose heart is the "Boat Room", the poet's memorial room on the fourth floor, and whose living nerve is the path of Mayakovsky in the house, the trace of his memory.


Like a theater, this Museum begins from the hall-stand. Guests in this House are poets who "did not love and did not smoke there last cigarette": Francois Villion, Alexander Pushkin, Marina Tsvetaeva and all those who see themselves in the mirror...


Mayakovsky was born in the Georgian village of Bagdadi on July 19, 1893. From a giant jug of wine ("Churi") like the Djinn from his bottle, a man appears ready to challenge to the bright heavens of Bagdadi:
« "Hi! Heavens! Take off your hat! I am going!"»


The poet's birth was marked by the first collection «I» and the tragedy «Vladimir Mayakovsky» at the stage of the Luna Park in St.Petersburg. The hero is surrounded by carnival masks hiding the faces of D. Burlyuk, V. Khlebnikov, M. Matyushin, A. Kruchenykh... Futurists got their new leader, and Russia got its new Poet.


«Down with your Love!»,
___«Down with your art!»,
______«Down with your religion!»,
_________«Down with your regime!»
- тwas the program of poem «A Cloud in Trousers» (1915). Destroying the surrounding world in our consciousness, the poet makes his step.


"Mayakovsky entered the revolution like his own home" and declared: "Long live the new regime, new religion, new art and new love!"..


From God and Paradise to Person and Commune. Here is "full abundance of goods and products". However, only in paper. The commune appears to be a communal flat, a room turns into a sideboard or mirror wardrobe, which excites Prisypkin (Pierre Skripkin) from «The Bed-Bug ». This is the tragically way of degeneration of ideals. Life defrosts a common person.



A real travel generates a travel in mind: the Brooklyn Bridge is next to the unfinished "bridge to socialism". The search an ideal State is next to idealism («All Right»), the ideal of art is close to the crew of pilots, who do not understand each other, and the art of man is like a phantom, a "photo on white wall"...



The travel to Eternity "overhead poets and governments" was realized with a time machine from the play "Bath". This travel is a testament permeated by three dominant motives: hatred to "rubbish", optimism of deceived "cranks", and professional skill.



Nowadays, Mayakovsky is "marble slime", "Ganita verge", "one hundred volumes" of his books, coldness of public reception, and trample on the pedestal. Despite of all these, "Mayakovsky existed and exists...".


DOCUMENTA--KASSEL (2007)